The engineers have put effort into improving such basic effects as film glows and the 3D lens flares, giving these a very organic look and maximizing the level of control. The Continuum filters use a set of custom on-screen controls that make it easy to tweak parameters either in the filter control panel or using the widget overlays.

The effects are easy to manipulate, particularly those that are more taxing, like distortions, particles, strands, extruded 3D text and glows. Running BCC8 in After Effects on my Mac Pro with an ATI 5870 graphics card is a joy. Best of all, BCC8 adds eight new filters including videoscopes, film glow, a 3D particle emitter, 3D lens flares, wild cards, organic strands, stage lights and flicker fixer.īoris FX was one of the first companies to include particle effects inside an NLE and the performance and responsiveness of all of these filters have been greatly improved. There’s better integration with After Effects and support for 32-bit floating calculations. New features include improvements in the particle effects, lens flares, glows, lights and image restoration tools. The Boris Continuum Complete package includes categories that cover a wide variety totaling over 200 filters. Filter categories have also been slightly regrouped into more logical combinations.

At NAB, Boris Yamnitsky (president of Boris FX) pointed out that the focus of the BCC8 upgrade was not simply to add more filters, but to improve the quality of all the filters, such as adding 3D depth to effects like lens flares. Here’s a look at some of the newest options.īoris Continuum Complete is truly the Swiss Army Knife of filter packages. Not only are they rolling out refreshed versions of their products, but they are having to adapt to a range of new hosts, including Apple Final Cut Pro X, Motion 5 and updates of Avid Media Composer and the Adobe Creative Suite applications. Plug-in developers have had their hands full.

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